Chris Dunbar Professor James English 101A 14 October 2003 Citizen Kane: Intrusion of privacy The movie, Citizen Kane, gave its audience many interesting and creative shots and paintings. It was able to badger peoples minds and was far ahead of its time as far as special effects are concerned. All of the fancy and dread(a) shots that the movie has do raise a question though. The photographic television camera was able to go e genuinelywhere whether thither was a timber or not. The camera was the sole compositors case that truly had its sustain unique characteristics. What if the media was actually able to nose into someones personal conduct now as well as it did in the film. The kickoff example of this intrusion of privacy is pin down in the premier(prenominal) chapter of the movie. I call the scene a chapter because scenes in a DVD version of the film are called chapters, and then I will now call each scene a chapter since I watched the DVD version of the movie. In t he very blood of the first chapter the camera shows an iron fence with a dogged backdrop. On the fence in big, bold garner is the enounce NO TRESPASSING, this gives the feeling to the audience that guests might deficiency to work out back to where they came.
The camera only hesitates farsighted enough to withdraw the singularity and then proceeds to go over the sign and into the property. The camera then proceeds, without interruption, to Mr. Kanes personal bed inhabit in his palace. The camera is the only one in the room with Mr. Kane as he utters his last words. Rosebud is less read from the lips of the vent man as the camera is so close you butt! ocks count the provide on Mr. Kanes moustache. Another example of the medias... If you wish to get a encompassing essay, order it on our website:
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