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Friday, June 14, 2019

Visual Arts Experimental Drawing - Research Project Paper

Visual Arts Experimental Drawing - Project - Research Paper Example ground ball get-go attended current York School of Art and Design, where he was shocked at the prospect of drawing live nudes. His choice of subjects was mostly boats and women, still keep and natural landscapes. He was influenced by Manet and Degas and particularly loved Rembrandts use of light and dark shadows in Nightwatch, and the work of French engraver Charles Meryon. He scorned illustrations but was forced by economic circumstances to work at a copywriting agency during his early professional life. After his father died he travel to and lived in his Washington Square apartment in New Yorks Greenwich Village for the rest of his life (Kuh, 53). Hopper got his subject matter from both seascapes and landscapes and scenes in contemporary Ameri give the axe life. His Girl at a Sewing Machine (1921) shows a girl at work on this machine, deeply involved as the sunlight comes into her room and lights it up. His work often depicts the solitude he felt in life. Hoppers most celebrated painting is Nighthawks (1942) which is famous for its perplexity to detail, cinematic perspective and use of electric light set against the contrast of the night outside. It shows a group of people at a diner. Hoppers Girlie Show (1941) is one of his more audacious pieces, where a red headed striptease is seen moving confidently across a stage as musicians play in the background (Barbara, 158). Works Cited Haskell, Barbara. Modern Life Edward Hopper and His Time. Hamburg Bucerius Kunst Forum, 2009. Print. Kuh, Katharine. Interview with Edward Hopper in Katherine Kuh, The Artists Voice Talks with Seventeen Artists. New York Di Capo Press, 2000. Print. Levin, Gail. Edward Hopper An Intimate Biography. New York Knopf, 1995. Print. Lisa Milroy Born in Vancouver Canada in 1959, Lisa Milroy moved to London in 1979 and has been living and working there since then. She first studied at the Universite de Paris-Sorbonne in 197778 for a short while before moving on to Londons St Martins School of Art in 197879. She completed her art studies at the University of London, UK from 1979 to 1982. Lisas first solo art exhibition took place in 1984. She was also given the 1989 John Moore Painting Prize. Lisa currently teaches at the Slade School of Fine Art in London. As an artist, Lisa Milroy is famous for painting everyday items like vases, clothes and shoes in the form of collections. Milroy also paints objects in formations like in the shape of grids, lines, groups, rows and columns which she likes to lay down on plain backgrounds. Quite often Lisas arrangements of objects are influenced by their functional identity. For instance, stamps transform into islands for the eyes to travel between or wheels move send at a dizzying visual pace. Handles (1989) won for Lisa the John Moores Award. This is a depiction of various handles of assorted types all spaced evenly through the work and can be viewed as a com bination of lines dots and circles, assembled or spaced as in a catalog. The lack of color is intriguing and one cannot help missing to pull on the handles to see if they work (Walker Art Gallery). Handles, 1989. Her painting Shoes (1985) shows a collection of shoes evenly spaced but in different configurations as to positions. Not one is repeated, they all

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